Anno III, N. 1

Nerbiniano 03 01 C1 150.jpg

My other recently-acquired copy of Il Nerbiniano is an older one: year III, number 1, published in January, 1975. While Kevin shared the cover with a strip called “Cino e Franco,” one of Kreigh Collins’ most arresting panels was repurposed for the cover. Notably, the comic in which it originated (October 28, 1951) does not appear inside.

Anno III, N. 1 used heavier cover stock than my other copy. This one was bound in a landscape format, and all of the material inside is formatted that way too. Overall, this earlier copy is of a higher quality than Anno VIII, N. 1. The inside covers were printed in two colors, black and cyan, and the interior text pages appeared in alternating 4-C and black-and-white signatures, each four pages long. The inside front cover lists an editor-in-chief, six staffers and a cover artist, and includes an editor’s letter (La Poltrona del Direttore, or, The Director’s Chair). The table of contents nicely features a piece of Collins’ artwork as a spot illustration.

 

 

Having started this blog as a tribute to my grandfather, perhaps the most fascinating aspect is how much I learn about ancillary material while doing necessary research. While I know quite a bit about my grandfather’s comics, I am by no means a comics historian. I learned that the comic featured in the opening section, “Jungle Jim,” was created as a topper by Alex Raymond for his comic “Flash Gordon.” The comics reprinted here are lovely, dating to 1939.

“Kevin the Bold” appears on page 5, and two tabloid comics are split across four pages as in my other copy of Il Nerbiniano, but with no need to rotate the book while reading. The interior text pages’ stock is heavier than in my other copy, and instead of a coated paper with what almost appears to be xerographic printing, this issue uses a nice uncoated stock. The reproduction quality is excellent.

Nerbiniano 03 01 05 150Nerbiniano 03 01 06 150

This time, the comics’ original publication dates (and NEA copyright credit) remain in the artwork. While I always thought of this sequence as “The Search for Sadea,” I now prefer the Italian title, “Sadea, la Ragazza Stregata” (“Sadea, the Bewitched Girl”).

In all of my grandfather’s comics, the Sadea sequence is perhaps my favorite. It features thrilling action, a hauntingly beautiful (kidnapped) young woman, magnificent ships, horses and battle scenes. Not to mention Koko, the mischievous sea monkey (not that kind!), and frightening villains, all beautifully illustrated and with a captivating plot line.

Nerbiniano 03 01 07 150Nerbiniano 03 01 08 150

After four stunning pages, Il Nerbiniano continues with more four-color “Cino e Franco” comics. After further research, I learned that this comic is the Italian version of Lyman Young’s long-running “Tim Tyler’s Luck.” (I also learned that Lyman’s younger brother Chic Young was the man who created “Blondie”). This is followed by eight black and white pages of a comic called “Nell Impero Degli Incas” (“In the Empire of the Incas”), and four more color pages of “Cino e Franco.” Then, four more exquisitely-reproduced “Kevin the Bold” pages — the comics from April 22 & 29, 1951.

Nerbiniano 03 01 25 150Nerbiniano 03 01 26 150

Nerbiniano 03 01 27 150Nerbiniano 03 01 28 150

Because this sequence has had no exposure for the past 67 years (in color, anyway), next week I will begin featuring it on this blog it in its entirety. But first, one last look at Il Nerbiniano — what a charming back cover!

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For more information on the career of Kreigh Collins, visit his page on Facebook.

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